Making Creative Practice Research Visible: From Legitimacy to Infrastructure
Why REF recognition isn’t enough, and how creative practice research needs better infrastructure to be visible, discoverable, and usable.
Why REF recognition isn’t enough, and how creative practice research needs better infrastructure to be visible, discoverable, and usable.
Despite its burgeoning popularity, live cinema navigates a tightrope walk between authenticity and commercialisation.
Analysis of the Central School of Speech and Drama’s 2021 REF submission, ‘practice boxes’ as an option for creative practice researchers.
Articulating the essence of creative practice research within a 300-word REF contextual statement is both daunting and critical.
The Rebellious Research roundtable at MeCCSA23 asked: how can the value of creative practice research be effectively articulated?
Unpacking practice/research, and the challenge of formulating a research question in experimental creative inquiry.
I asked a genuine question about self-plagiarism and it lead to a full and frank debate which I have tried to summarise in this blog post.
Shadow Sites, Peripheral Spaces, Embodied Places: the 48-hour film challenge as a locus for film industry project networks
We live in a post-Bandersnatch age for interactive digital narrative, by which I mean, its release is a watershed moment.
One of the really engaging things about the research I have been undertaking is that it feels like I have reconnected with a passion that I had lost touch with.