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Research for Creative Media: Practice & Pedagogy
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Research for Creative Practice

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Making Creative Practice Research Visible: From Legitimacy to Infrastructure

Why REF recognition isn’t enough, and how creative practice research needs better infrastructure to be visible, discoverable, and usable.

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From reel to real – a systematic review of the evolution and relevance of live cinema as a contemporary cinematic experience

Despite its burgeoning popularity, live cinema navigates a tightrope walk between authenticity and commercialisation.

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Alchemists Gold – REF Practice Boxes for disseminating creative practice research

Analysis of the Central School of Speech and Drama’s 2021 REF submission, ‘practice boxes’ as an option for creative practice researchers.

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Narrative Alchemy: Crafting Your 300-word REF Contextual Statement

Articulating the essence of creative practice research within a 300-word REF contextual statement is both daunting and critical.

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Exploring the Challenges of Articulating Creative Practice Research – a MeCCSA 2023 Round Table Report

The Rebellious Research roundtable at MeCCSA23 asked: how can the value of creative practice research be effectively articulated?

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The best questions are often the last questions: making sense of experimental creative practice as research

Unpacking practice/research, and the challenge of formulating a research question in experimental creative inquiry.

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In the belly of the beast: Legalism vs Epistemology & the Ethics of Self-plagiarism

I asked a genuine question about self-plagiarism and it lead to a full and frank debate which I have tried to summarise in this blog post.

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Shadow Sites, Peripheral Spaces, Embodied Places: the 48-hour film challenge as a locus for film industry project networks

Shadow Sites, Peripheral Spaces, Embodied Places: the 48-hour film challenge as a locus for film industry project networks

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As We Have Watched: what now arises from a reconsideration of the concept of interactive digital narrative.

We live in a post-Bandersnatch age for interactive digital narrative, by which I mean, its release is a watershed moment.

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Dancing to Balkan Music: ethnomusicology, cultural appropriation or cultural exchange?

One of the really engaging things about the research I have been undertaking is that it feels like I have reconnected with a passion that I had lost touch with.

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